Cortically Magnified

In Thomas Pynchon’s first novel V., there is a subplot involving rhinoplasty. A surgeon in the story (“being a conservative”) refers to his own profession as the “Art of Tagliacozzi”. This is reference to the 16th century surgeon Gaspare Tagliacozzi, who pioneered surgical techniques for nasal reconstruction. He was a professor of anatomy at the Archiginnasio of Bologna, whose famous anatomical theatre houses a statue of Tagliacozzi holding a nose. I visited Bologna in 2015.

Bright Earth by Philip Ball is a remarkably multidisciplinary book about color. In a chapter about renaissance art, he described the technique of cangiantismo, which is most famously associated with the work of Michangelo. Wikipedia’s entry explains: “Cangiante is characterized by a change in color necessitated by an original color’s darkness or lightness limitation”. The effect is unnatural but it’s what fascinates me most about Michangelo’s paintings. This article explains how the technique was used in contemporary art such as Monster Inc.

It’s interesting that two favourite writers of mine had worked for big tech companies. Kurt Vonnegut worked for the PR department of GE. His portrayal of the genius scientist in Cat’s Cradle was based on his interview of Nobel Laureate Irving Langmuir of GE Research. Thomas Pynchon was a tech writer for Boeing. Yoyodyne, a defence contractor in The Crying of Lot 49, is a caricature of Boeing. Dec 4th 2020 update: I also learned that William Gaddis worked for Kodak and IBM.

In other parts of Africa, you are aware of the earth beneath your feet, of the vegetation and the animals; all power seems concentrated in the earth. In North Africa the earth becomes the less important part of the landscape because you find yourself constantly raising your eyes to look at the sky. In the arid landscape the sky is the final arbiter. - Paul Bowles

Anticipating the next release of macOS (10.16; Big Sur), I started to read the novel Big Sur by Jack Kerouac. It’s very interesting to me that in Chapter 12, Kerouac went to visit Neal Cassady, who was living in the Santa Clara Valley (more precisely, 1047 E. Santa Clara Street). So, in the late 50’s, Neal Cassady was practically living in today’s Silicon Valley. I had never associated with Silicon Valley with the counterculture movement.